And like many other developers, Apple are gradually implementing support for MIDI 2.0, with Logic Pro 10.8 now able to display MIDI data using decimal places either within the traditional 0-127 range or as a percentage. In Logic Pro 10.8 for Mac, for example, there are new Slip and Rotate tools, making it easier to move the content within a Region without changing the position of that Region. Logic Pro 10.8 for Mac and Logic Pro 1.1 for iPad also offer numerous enhancements specific to each version. And this could be particularly useful if you want a mobile solution for field recording - or any scenario requiring content with a high dynamic range to be captured - where the convenience of running Logic Pro on an iPad might be preferable to bringing a MacBook Pro. These updates to Logic Pro also add the capability to record 32-bit float audio when using a compatible audio interface, such as Zoom’s UAC-232. Having the option to quickly add a slick sonic veneer before sending out a demo, without any fear of exceeding a True Peak loudness level of -1LUFS, is certainly not unhelpful. And while such a feature could be understood by paraphrasing Apple’s original ethos as ‘mastering for the rest of us’, it also has clear value for professionals and more experienced users. Having had a chance to briefly play with Mastering Assistant, I was pleasantly surprised by the quality of the results – not to mention the perspicuous convenience by which they could be achieved. Mark Wherry: "Having had a chance to briefly play with Mastering Assistant, I was pleasantly surprised by the quality of the results." Each section offers simplified controls, and the overall character of the signal chain can be configured by choosing from one of four easily identifiable preset names, such as Transparent and Punch. Intended to be added as the final step before delivering your master files for distribution, Mastering Assistant performs an offline analysis of your mix before applying three types of processing categories - EQ, dynamics, and stereo spread - tailored to get the most from your material. ![]() The main attraction in these latest versions of Logic Pro is undoubtedly the new Mastering Assistant, designed to demystify the process of adding that final layer of polish to your stereo mixes. And to demonstrate what’s possible, a free Hybrid Textures Sample Alchemy pack is now included featuring instruments designed for instant creative gratification, forged from a collection of 70 patches and over 80 loops. Sample Alchemy, which borrows from Logic Pro’s existing Alchemy plug-in, enables an audio sample to be swiftly resynthesized and manipulated into a playable instrument. And, if you haven’t used them already, this is certainly a cause for celebration.īeat Breaker allows incoming audio to be split into rhythmic slices that can be rearranged and manipulated, facilitating contemporary-sounding, time-based remixing with flare. ![]() Beat Breaker & Sample Alchemy now on Mac tooįor example, the new Beat Breaker and Sample Alchemy plug-ins first seen in Logic Pro for iPad have been brought to the Mac in Logic Pro 10.8. And, perhaps more importantly, improving the Roundtrip experience for those sharing the same Project in Logic Pro between Macs and iPads. The simultaneous release of new Logic Pro updates for both macOS and iPadOS underscores the parity Apple are setting out to achieve between the two versions, giving users the same set of familiar tools no matter the device on which Logic Pro is being used. ![]() Logic Pro 10.8 for Mac in all its glory, seen here with the new Mastering Assistant joined by the Beat Breaker and Sample Alchemy plug-ins first introduced with Logic Pro for iPad.įollowing the Halloween-inspired unveiling of Apple’s latest M3-series iMac and MacBook Pro models, the Cupertino-based company have more good news for musicians and audio engineers this Autumn with the announcement of Logic Pro 10.8 for Mac and Logic Pro 1.1 for iPad.
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